(dramatic music)
- That's it!
That is your career Josh.
Do you realize that?
- So why are you a cop?
- Because I like fast cars.
- I don't think this is gonna work out.
You'll stuff something up.
This type always do.
- You okay?
- [Grace] Yeah.
- You know you look worried.
I thought maybe it was about Josh.
(Grace laughs)
I mean, who the hell does he think he is?
I'm not the one making moves on Grace.
- What?
Really?
- Leon?
- Okay, okay.
(dramatic music)
(upbeat dramatic music)
- [Martin] You gotta take it.
- [Boy] Yeah.
- Have you got a good barrister?
But you probably don't by the look of ya.
Boys in the big house,
they'll be looking forward to you turnin' up.
I'll tell you somethin' kid.
Don't look at the ones draggin' you off in the first year.
That's the best advice I can give.
Oh and you're gonna need one other thing.
Luck.
(tense music)
(laughs)
- How did you know?
- I looked up your file.
- No, you didn't.
Thank you.
- No worries.
(tense music)
- Just take it one day at a time kid, one day at a time.
You get to the end of the day,
your head's still above ground then that's a good day mate.
So, what's your luck like eh?
(tense music)
Nearly there.
Two times I've tried the Harry.
Buggered it both times.
The Harry's all about luck and perfect timing.
You go in too early,
just look stupid.
Go in too late,
they kick the crap outta ya.
I'm thinkin' three is probably lucky for me.
(tense music)
Better lucky for someone else bud hey?
(tense music)
It's on.
You do whatever you want.
- Huh?
(feet shuffling) (tense music)
(door bangs) (officer grunts)
(dramatic music)
- [Officer] Hey!
(grunting)
(dramatic music)
- Don't you bloody move boy!
(dramatic music)
(gentle music)
(upbeat dramatic music)
(trunk opens)
(motorcycle engine idling)
(bag thuds)
(motorcycle engine idling) (bird calling)
- [Lawson] Hey Stell, let's go.
- I need a moment.
- Make it quick.
(motorcycle engine revving)
- [Lawson] You can stop staring Michael.
- [Police Scanner] Suspect has escaped on foot
from the corner house west in Tacopey Street.
Offender described as sandy brown hair,
medium height wearing a green suit.
- Tango two.
We're two minutes away.
(siren wailing)
(dramatic music)
(bag thuds)
(door slams) (tense music)
(seat belts click)
- Okay I'm in an angry mood.
- How come?
- You alright?
(dramatic music)
- Leon we're in Collingwood.
The bloke who did the bolt
from the court house is a Martin Nicholas Gero.
Can you sus him out so we know what we're chasing?
Thanks mate.
- Alright you guys, you go down there in your vehicle.
If you see anything radio us as well as the LACE.
Okay you got it? - Let's go.
(tires screeching)
(dramatic music)
- No way he's come this far on foot.
- Yeah he's probably holed up somewhere.
Leon what do you got?
- The grid's up on your screen guys.
The local 250's got a uniformed vehicle covering
from Romeo 12 to Kilo 20.
Another one from Lima 20 back to the university
and another one heading north
from Alpha 20 up to Princess Street.
There's more coming in.
You guys have got to roam in both of them.
- Okay thanks.
Give us all they get.
- [Leon] Go for it.
(dramatic music)
(car horn honking)
(dramatic music)
(siren wailing) (dramatic music)
- You go that way!
Nick what street's this?
(siren wailing) (dramatic music)
Go!
Go go go!
(siren wailing) (dramatic music)
- Alright you keep goin' that way.
You cover the grid between Alexander,
Parade and Johnson Street.
We'll cover back to Nicholson alright?
(dramatic music) (car engine revving)
(dramatic music)
(hood slams)
(dramatic music)
(car engine revving)
(dramatic music)
- This is Carlton.
303 to VKC.
Uh, I'm, I'm on foot at Henry Street.
Uh, suspect just stole a car.
He's heading, he's heading east.
- [Lawson] Did you grab what model?
- Uh, it was an, an early model.
- Yeah of what?
What make?
(sighs)
- I missed it.
- You get a reg?
(Constable Peterson sighs)
- [Constable Peterson] No, no.
- [Lawson] Color?
- It was a dark color.
- A dark color.
Great.
Left or right.
- It was right.
- [Lawson] Go.
(dramatic music) (tires screeching)
(footsteps clattering)
- Oo are they for me?
- Uh, (laughs), uh they kind of vary.
- Yeah I know.
- No it's her birthday.
I thought I'd just put them in her locker.
- Ah.
Nice.
- Yeah.
Is she uh, still due back at 3?
- Uh, well it depends what comes up.
Could be, you know midnight.
- I just wanted to be here when she gets back to,
surprise her.
- Well, good luck with that.
(keys jingling)
(footsteps clattering)
- Alias.
Nicholas Martin, Nicky Jerome, Martin Nicholson.
Armed rob, serious assault, car theft, break and enter,
I could go on.
He's been a very (laughs) busy boy.
- Leon, any reason I didn't have any cuffs on this guy?
- Balls up by the security of him apparently.
- [Lawson] Yeah that figures.
- Yeah outsourcing.
It's the dumbest thing they ever thought of.
- Leon get onto his girlfriends family whatever.
Everyone in his life.
I want a stir him up, alright?
(locker clattering)
(paper rustling)
(footsteps shuffling)
(books thud)
(locker clattering)
(footsteps receding)
- Guys someone in an old green Falcon
has just an assault and bag snatch
on Lester Street, Fitzroy.
That's gotta be our guy.
(siren wailing)
Clever bastard.
He's doubled back.
- Yep.
We got it Leon.
(siren wailing)
- Look uh, cut down Park Street.
I know a shortcut.
(siren wailing) (tire screeching)
(ignition turning)
- Hey!
Hey!
Oh, this is a 303 portable.
I've got a sighting of suspect.
Trying to steal a car on uh,
Cambridge Street.
Hey!
Police!
Get out!
(ignition turning)
Police!
Get out of the car.
Get out of the car!
- Yeah yeah.
(Constable Peterson grunts) (gun clattering)
(dramatic music)
Police!
Stop!
(gun firing)
(dramatic music)
(grunting) (dramatic music)
(gun fires)
(tense music)
(dramatic music)
(sighs)
(dramatic music)
- Hey Leon?
The intel on that I was wondering
how you goin' with the contacts?
- Mm, so far none.
All his mates seem to be on the inside.
- [Kerry] Alright we got a pen?
- [Leon] Yep.
(typing)
- Okay.
Mosasi Toowapo.
Jimmy Patton.
And a Peter James Davidson.
Ah!
And see if you can locate a Justine Maxwell.
(typing)
- Great.
Where'd you get this?
How do you know these...
- Leon can you get the crime scene guys down here please?
This is him for sure.
We'll take a look around.
- Oi.
- What?
(birds chirping)
Go.
(laughs)
(birds chirping)
(footsteps clattering)
- Okay guys I got something for you.
A known associate of Martin Gero's.
One Peter James Davidson just a call
from the bag snatch ladies mobile.
- Okay great.
- [Leon] Uh, what's he doing?
He's an idiot.
He knew we'd trace it.
- So what's the address?
- Uh, 39 Mayfair Street Abbotsford was his last known.
- All good?
- Yep.
- [Lawson] Okay Grace how far are you guys from Abbotsford?
- [Grace] Four and a half minutes.
- Okay Leon what else you got mate?
Come on.
- Oh, good timing this just in.
How's this?
I've got a Mosasi Toowapo in Collingwood.
He got out a month ago.
Him and Gero shared a cell for awhile last year.
(gentle music)
(door slams)
- Comin' back?
(car beeping)
(tense music)
(knocker banging)
(door opens)
- Like to invite us in Mr. Toowapo?
(footsteps clattering)
Come on don't be like that.
- Hey hey hey.
Take it easy, hey take it easy mate.
(tense music)
- Mosasi, how you doin'?
(tense music)
(door opens)
- [Josh] I'll get the back.
(tense music)
(doors slamming)
(knocking)
(tense music)
(knocking)
- Piss off.
- [Grace] Peter Davidson?
- [Peter] I got nothing to say.
- Yeah we just wanna ask you a few questions.
- [Peter] Didn't you hear me?
- Yeah we got your uh, foreman pay here Mr. Davidson.
As an official police informant you're entitled
to a bit of reimbursement.
- Shut up.
What are you saying?
- Can we come in?
(tense music)
- Jesus what's he done now?
He's only just got out and you're into him again?
- [Peter] Let it go love.
You're gonna go back inside.
- Alright just get out.
- We're here to talk to you about Marty Gero.
- Marty Gero?
That snake?
Listen if he was here and he's not
I would've shot him myself.
- He made a call here about 10 minutes ago?
- Yes and I hung up on him.
- Where's Martin?
- Don't know.
- [Lawson] Martin Gero, mate of yours.
- I never heard of him.
- [Lawson] He's not here is he?
- [Mosasi] Nah.
- [Lawson] Heard from him?
- [Mosasi] Nah.
- [Lawson] No correspondence whatsoever?
- [Mosasi] Nothing.
Dunno.
- [Lawson] We know you two are good mates.
Huh?
Hasn't called ya?
- [Mosasi] No.
- [Lawson] Hasn't come round?
- [Mosasi] No.
- [Lawson] Hasn't visited lately?
- [Mosasi] Not that I remember.
- [Lawson] Stell?
- Yeah coming!
- Jimmy.
Down the end of the road.
Three blocks to be exact.
He knows him better than he knows Pete.
- And Freddy.
- And Freddy, yeah!
Yeah bloody stupid Freddy.
You know what?
Marty's more than likely to go there 'cause he hates him.
- Okay.
Thank you for your help.
- [Woman] Pleasure.
(tense music)
- [Lawson] How you guys going?
- We're still in Abbotsford.
There's a few places we're gonna check on foot.
You guys should get over here.
He's bound to turn up sooner or later.
- Yeah got that.
(keys jingling)
(tense music)
- Meet you boys back here.
- [Josh] Right yeah (sighs).
(tense music)
(typing)
(tense music)
(knocking)
(tense music)
(typing)
(tense music)
(footsteps clattering)
(bird calling)
(rustling)
(door slams)
- Josh, Dom I got him.
He's at the school opposite David Street.
(tense music)
How far off are you?
(tense music)
(rustling)
(Grace grunts)
- [Leon] Oh no.
Guys he's got grace.
- Just give us an excuse sweetie.
- Josh?
Dom?
- [Martin] Up, up.
Get up!
(Grace grunts)
(tense music)
How far are your mates away?
- They're right behind me.
You haven't a chance.
- I must say I've been told that before.
- As far as I know all you've done is take off.
If you can't even--
- Oh shut up bitch.
(whack)
(Grace cries)
- Grace!
(dramatic music)
(Grace cries)
(dramatic music)
You alright?
- Go, go!
He's down there!
He's armed.
- [Dom] Are you alright Grace?
- [Grace] Go!
(dramatic music)
(Grace sighs)
(dramatic music)
(grunts)
(dramatic music)
- Okay shut the boot.
Shut the boot!
(trunk slams)
- Police!
Let her go!
- Give us the keys, give us the keys!
(woman crying)
I will shoot her mate.
I will shoot her.
- Let her go now.
- [Martin] Get back out of here mate.
- Look at her.
She's just gonna be a liability.
- Get back or it's her first then you alright?
- Look at her!
She's a mess.
She won't be able to drive.
She's useless to you now just let her go.
- Come on get around.
Get around!
Okay smart ass.
(keys jingling) (tense music)
Start it.
(woman crying)
- I will if you let her go.
- Start the car and I'll leave her alone.
(woman crying) (tense music)
- [Dom] Josh don't do it.
Josh what are you doing?
- [Martin] Open the door.
Open the door.
Open it.
Get in.
(woman crying)
Shut the door.
- Josh,
it's not the way mate.
- Now come on drive!
(dramatic music)
(gun clattering)
(tense music)
PFF.
938.
- Tactical response.
Urgent.
Escapee Martin Gero has decamped Abbotsford Shopping Center
in an early 90's model blue Hyundai sports wagon.
Registration Papa Foxtrot Foxtrot 938
heading south down Jefferson Street with one female hostage.
Car is being driven by Sargent Brennan Joshua
of Tactical Response.
- Please let me go (crying).
Please I haven't done anything (crying).
Please let me go.
- Oh Christ she's driving me up the wall.
Stop here.
Stope here.
(woman crying)
Open the door.
Out you go porky.
(woman crying)
Okay Mr. Chauffeur head for Springvale.
- What's at Springvale?
- Something I should've done a long time ago.
- Okay, what part?
You got an address?
- No none of your business mate.
Just obey all traffic rules or you're dead.
Do anything sudden and you're dead.
In fact me getting to Springvale
is your best way of not getting dead.
- [Dom] What the hell was he thinkin'?
- You just watch.
Josh will rip that guys head off.
- That's what I'm worried about.
- What is this bloody crap?
Everyone wants to be Robo Cop these days.
Okay.
Lean forward.
Get this thing off please.
(Velcro rustling)
(vest thuds)
- What happened?
- Don't worry about it mate.
I've had worse.
I short belted your little mate.
Bang!
- [Josh] Why'd you do that?
- Ah she was trying to negotiate with me.
It always pisses me off.
- [Josh] You won't get any negotiation out of me.
- Bloody Josh.
One day he's gonna...
- What do you mean?
(sighs)
- Nothin'.
- What about Jimmy Patton?
Have you seen him lately?
Yeah no, he seems to have disappeared.
- [Grace] Thanks guys.
- If you see him around can you give us a call?
Yeah thanks for that.
See ya.
What are you doing back here?
Why don't you go home?
- My nose isn't broken and I haven't got a concussion.
- Caught up with what Josh is up to?
- I'm listening. - Yeah.
- I'm going back out.
- No.
Grace no.
No you're not.
- They said I'm alright.
- Grace, I think you should go home.
'Cause there's a good chance this
is gonna end up in tears.
- I have to wait here until Connor's free to pick me up.
- Fine.
Fine.
Oh.
Happy birthday by the way.
(footsteps receding)
(laughs)
- See this marker?
- Yeah.
- That's the mall car park
so they've taken off down this street here.
We've put out the rego and a description of the occupants.
Just a question of time.
- Yeah but with this guy you don't know how long you've got.
Tell VKC to roll out more cars will ya?
And can we get a chopper on this?
- Sorry none available.
- Ugh alright well grab one as soon as you can.
- Mm hm.
- He's not gonna be going back to Abbotsford.
- Uh maybe not but--
- How'd you go locating Justine Maxwell.
- Uh, it's a big negatory on Justine.
And no luck with Jimmy Patton either but see these?
They're feelers.
And I've put them out.
- Okay.
Well I'm going out there alright?
- [Leon] Yeah.
- Oh could you keep an eye on Grace?
She may have some sort of delayed
reaction or something yeah?
And find me Justine Maxwell.
(gentle music)
(band aid pulling)
(exhales)
(gentle music)
(makeup clattering)
(gentle music)
(inhales)
(exhales)
(gentle music)
(dramatic music)
(gun loading)
(dramatic music)
(footsteps clattering)
(car beeps)
(dramatic music)
(door slams)
(engine starts)
- You know we're gonna pass a squad car sooner or later?
- Yeah that'll probably happen.
And right then guess what else?
- You're not gonna shoot me.
- Why not?
Come on smart ass, why not?
Yeah, see now you're pissing me off.
Let me tell you while I put a bullet in ya.
Because today's my lucky day.
You believe that?
It's called luck balance.
I'm the lucky guy which means you're not.
Yeah.
(locker clattering)
(gentle music)
(paper rustling)
(gentle music)
(paper rustling)
(gentle music)
(zipper unzips)
(gentle music)
(charm rattles)
(gentle music)
- Hey.
Aw what do you got here?
Come on.
Give us a squeeze.
Come on.
A trinket.
And flowers.
Who gave you all this?
- Um, Connor.
- What?
Wedding anniversary?
- It's my birthday.
- Aw you shoulda told us you goose.
What you didn't tell anyone?
- No.
- [Leon] Not even Josh?
- Why would I tell Josh?
- Nothing it's just that Stella said to...
Yeah.
It's uh, (laughs) I gotta go.
(footsteps receding)
(tense music)
Grace?
- Piss off Leon.
(tense music)
- Yeah.
(tense music)
- [Josh] So why'd you take off?
- Because I could.
No cuffs.
Got the timing perfect for once.
- You enjoying freedom?
Or don't you feel that free yet?
- Quiet down you cheeky mother.
Oh hang on.
Here we go.
Yeah slow down here mate.
Do a block, come round.
We'll go round the other side of those shops.
It's time to change the game.
(dramatic music)
(door slams)
(dramatic music)
Okay.
Hop out of the car.
(dramatic music)
Just grab some of the old bullocks huh?
Hey whoa.
You're thinkin' of baggin' in a hit just then weren't ya?
- Yeah.
- Okay smart ass here are the rules.
You try anything smart I won't shoot you.
I'll shoot one of those innocent civilians.
Just try me.
Elbow.
- [Josh] Alright.
You're the boss.
- That's exactly right mate.
(dramatic music)
- This is called a walk through.
Brings back old memories.
Never done one with a cop before though.
See in a walkthrough what happens is
they find their car and get a big search
going right through on the other side of the mall.
But we've disappeared into thin air haven't we?
We're invisible.
(door slams)
Bingo.
Look at that.
Go.
(dramatic music)
Now wait here.
(dramatic music)
Get in.
(dramatic music)
(car engine starting)
Ask and you shall receive.
(dramatic music)
- No.
Last I saw him was up the street.
Seen this old guy though.
- When did he last report in?
- 30 minutes ago.
(footsteps clattering)
- Right.
Could you get on to D24?
I want as many units as you can down here okay?
- Yeah right.
(footsteps clattering)
- What do you reckon?
Does that lead to a dead end?
- Sure does.
- Okay.
I'll look down here and you guys will cover there alright?
(tense music)
Shit.
(footsteps clattering)
(tense music)
(coughs)
Can I get some help down here?
I'm in a drain way.
Yeah east of Redfern Street.
(tense music)
(vomits)
(gasps)
- Don't flick your lights.
Well what do you know?
We are invisible.
(tense music)
- [Officer] You blokes must have someone here.
He's got prize.
He's got form.
(chattering)
- Comin' with you alright?
- I could use some--
- Thanks mate.
(police scanner chattering)
(sighs)
(tense music)
(doors slamming)
- [Woman] All units.
The stolen vehicle is a 1992 metallic
blue Mitsubishi TR Magna Sedan.
Registration Tango Yankee Bravo Niner six six.
Stolen from the Clayton service station
along Saint Georges Road.
Two Caucasian male offenders.
One tall athletic with short hair and dark clothing.
The other sandy brown hair,
medium height wearing a green suit.
- Interesting.
I reckon that's them.
(chair rattles)
- Leon this just so you know we're in Clayton.
We'll set up a grid.
Take them.
Go bring up the traffic management cameras
in the area and let us know what you find okay?
- Aw, nah I'll keep it a secret.
How 'bout that?
- Leon anything yet on Justine Maxwell?
- Jesus.
Where'd you pop up from?
- [Kerry] Well?
(typing)
- No.
Still,
logging,
fingers.
Tiring.
(typing)
- You always a pain in the ass to these guys on the road?
- You get used to it.
- Yeah it's ridiculous the way he pisses about.
- [Kerry] He's the best intel officer I've worked
with in 15 years Michael.
- Uh, no that's true.
- [Leon] Thank you Inspector.
And by the way I've just found Justine Maxwell.
- Great.
Where is she?
- [Leon] She died two years ago.
- Oh that's the lost thing we need.
(tense music)
- Yeah you can pull in here.
Near the Traveler.
(tense music)
You got any cash?
- Oh jeez come on mate.
Don't be a dickhead all your life.
(tense music)
Ba-bang.
You could use stuff.
Yeah grab us a six pack of them
European beers would ya?
- [Shop Attendant] Which one?
- Any bloody one.
Come on choppity chop.
(tense music)
- [Shop Attendant] That's 16.95.
- Yeah and a packet of salt and vinegar chips thank you.
Actually, you got any Cheezels?
(tense music)
(typing) (tense music)
- Guys?
(tense music)
(bag rustling)
- What, who said you could take that?
See that's the one thing that pisses me off the most.
I don't understand why some people
think they can just get stuck into your food.
- Sorry.
- I can't eat these down.
They got bloody cop germs all over 'em.
Hey you wanna drink?
Here have a beer.
- The owner of the Mitsubishi Magnus stolen
at the servo left her mobile in the car door.
Her calls just coming through to her mum.
- Yeah who from?
- [Leon] No idea it was a pocket call.
You can hear the sound of an engine and male voices.
- That's gotta be Josh.
- Yeah.
At least we know he's alive.
- I'm on to Telstra.
They can triangulate the mobile
signal and get me a location.
I'll get back to you.
- Okay pull in here.
- [Josh] Why?
- I'm gonna let you piss off.
- No.
I'll stay.
- Hey dickhead I'm doing you a favor.
- I'm staying 'til you're back in custody.
- Are you crazy?
What's this?
- I've seen your form.
You're smart enough not to shoot a cop.
Why don't you give me the gun and
I'll see what I can do for ya.
- See now you're negotiating.
Anyway why wouldn't I shoot a cop?
Well see today it is different.
Today I've got nothin' to lose.
- [Leon] She doesn't have an active GPS
on the phone but at least it's on.
I got the call triangulated from mobile towers
in Braeside, Clayton and Dandenong.
- It's Springvale.
- [Leon] Could be by the looks of this.
- Stella get your bells and whistles on at Springvale.
- Oh hang on hang on.
Are you sure?
- Unfortunately yes.
(tense music)
- [Martin] I better get this over with.
- [Josh] Don't do it mate,
whatever it is.
(tense music)
- I grew up here.
- Looks pretty good.
- It's a toilet.
(tense music)
- Come on let's just get out of here mate.
- I'm not your mate copper.
- Just hand it over.
This can only have one ending.
- Yeah.
(whack) (Josh grunts)
(whacking)
(door opens)
(dramatic music)
(door slams)
(dramatic music)
(knocking)
(door opens)
Where's Justine?
- Who?
- Justine who lives here.
- I've been here two years.
Don't know who Justine is.
(dramatic music)
- Jesus Christ.
(dramatic music)
(grunts)
(tense music)
(Josh grunts)
(phone rings)
(phone clicks)
- [Leon] Josh?
- Leon I'm in Springvale.
He's armed and on foot.
I've got eyes on him.
I'll keep an eye on where he goes.
How far off are ya?
- Uh, eight, nine minutes.
- Is he alright?
- Um, are you alright?
How are you?
You okay?
- I'm not great.
I'm unarmed.
(tense music)
(dramatic music)
(chain clattering)
(dramatic music)
(gasps)
(dramatic music)
Leon I'm in the rail yards.
I lost him.
(sighs)
I'm gonna get outta here.
(gasps)
(grunts)
(gasps)
(dramatic music)
- Josh?
(dramatic music)
Guys?
(dramatic music)
(tense music) (footsteps crunching)
(rustling)
- Sorry you had your chance.
Up.
Get up.
(rustling) (tense music)
(Josh sighs)
- Get in.
(footsteps shuffling)
- [Lawson] Yeah Dom where are you?
How far off Springvale?
- [Dom] We're five minutes off.
- How far are we?
- Eight, 10 minutes.
- We shouldn't even be in this situation.
- Oh what?
Josh should've arrested this guy by now is that it mate?
- Oh don't tell me hasn't had the opportunity.
This is your favorite Sargent off the deep end again.
- There's a chance he saved that woman's life back there.
No? - Yeah.
There's a chance he won't get out of this.
He's attached himself to one deeply damaged guy.
(tense music)
- Just hand it over.
- You never asked me where I got it.
- Just give it here.
There's about 40 cops on their way here right now.
- Hm.
- [Josh] It's done.
- You still got a bit of blood.
Forehead.
(tense music)
After I grabbed that ladies bag
the uniform was comin' around like bloody chooks.
This kid looked about 15.
Comes up wavin' this around like
he was playin' cops and robbers.
(tense music)
He's screamin' poppin' in me face.
I could see how scared he was.
(tense music) (water splashing)
(gravel crunching)
(brakes squeal)
(door slams)
- Cover him.
(gun rattles)
(gun loads)
- Okay ready.
(gun clicks)
- Three left.
I caught one.
(tense music)
He caught one and one's in the middle of Fitzroy somewhere.
- Did you kill him?
- No.
He was alive when I left him.
(tense music)
I'd say he'd be retched by now though.
I've done some stuff in my life.
I never thought I'd be a murderer though.
- He's probably alive.
- Nah.
(bullets spin) (gun clicks)
Three out of six.
50 50 just like love.
(tense music)
Let's see who's lucky day it is.
(tense music)
(gravel crunching)
(doors opening)
(tense music)
(doors slam)
(tense music)
- Go ahead.
(tense music)
(footsteps crunching) (tense music)
- Cops in this day are shooting
innocent people every second day.
- Not me.
- Yeah?
Of course your mates have,
(tense music)
there own purpose.
Make you guys feel good when you kill someone does it?
Killing an innocent human being
make you feel like a good cop?
(tense music)
At least mine was an accident.
- They may be one, two minutes away now.
- How do you know?
- I know.
(tense music)
- Better get on with it then.
(tense music)
(footsteps crunching) (tense music)
I spin it,
I pull the trigger.
Me.
What do you think?
(tense music)
So who's gonna go first?
(tense music)
You wanna go first?
Oh hang on.
(tense music)
Just so we're all square,
heres your wallet back.
(tense music)
Ah.
I'll go first.
It's my go.
(gun clicks)
(bullets spin)
(gun clicks)
(dramatic music)
(gun clicks)
(Josh exhales)
- What'd I tell ya?
Did I lie?
Did I lie (laughs)?
(dramatic music)
Okay.
(dramatic music)
Your turn.
(Martin sighs) (dramatic music)
(bullets spin) (gun clicks)
(dramatic music)
- [Josh] No.
- You ready?
(dramatic music)
- Don't.
Please.
(dramatic music)
Don't do it.
(gun fires)
(dramatic music)
Damn I missed ya.
Lucky I'm such a bad shooter.
Should've practiced more when I was a kid.
- Drop your firearm.
Put it down.
- [Martin] What?
- Put it down.
Okay?
They'll have heard the shot.
If you don't put it down you're gonna get a bullet in ya.
(dramatic music)
(gun skidding)
- Get on the ground!
- [Josh] Shut up!
- Get on the ground!
- Shut up!
- There he is.
(dramatic music)
There he is (laughs).
- Down on the ground!
Now!
Do it!
Hands behind your back! - Get down!
Hands behind your back!
(tense music)
(handcuffs clanking)
(handcuffs tightening)
(Martin grunts)
- Better check your mate.
(rustling)
(footsteps clattering)
Jesus Christ.
Kez where'd you come from?
- G'day Marty.
- What are you doin' back here?
- [Kerry] Yeah I was gonna ask you the same question.
- You're a cop.
- Yeah.
It's kinda how I got out of here.
- That's real good.
- [Kerry] Thanks.
- Least one of us done it.
- Just for a second.
You were lookin' for Justine weren't ya?
- Yeah.
- How come?
- I just wanted to apologize for
all that stuff I did back then.
Figured maybe it was my last chance.
- Yeah she's dead Marty.
- Well.
- I'm sorry.
Don't bugger it.
- Yeah.
Come on.
(rustling)
(footsteps clattering)
- How's it goin' mate?
You alright?
- Yeah.
- Can you stand?
- Yeah of course.
Yeah I'm good.
- You alright?
- Yeah I'm sweet.
(gentle music)
- You're a bloody idiot.
You know that?
I mean what where were you trying to do?
Yeah?
You gotta stop this mate.
You can't keep this sort of crap up.
You know that.
(gentle music)
- You would've done exactly the same.
(gentle music)
- I think you need help.
- I think you need to shut up.
(phone rings)
- Yeah?
(gentle music)
Uh huh.
Yeah he's in one piece.
We got the guy.
He's a bit banged up actually like yourself.
No he's a bit worse actually.
Yeah yeah she's here.
Alright give me a sec.
(ear piece clattering)
Grace.
- Hello?
(gentle music)
No I didn't know.
(gentle music)
Yep, okay.
(gentle music)
Yep.
(tense music)
(scoffs)
(tense music)
- Hey (laughs).
- [Grace] Hi babe.
- [Connor] Happy birthday.
- [Grace] Thanks for these flowers.
They're great.
- Whoa what happened?
- It's nothing.
It's fine.
I am okay.
- Nothing?
Who did this to ya?
- A couple of days you'll hardly even notice.
Babe, it's part of the job okay?
I was unlucky.
- Oh.
Besides getting shot.
You want that too?
- I want to go out with you for my birthday.
(gentle music)
Just us.
(gentle music)
- Jeez you were lucky today.
(gentle music)
That's strike two.
(gentle music)
- See ya guys later.
- See you ladies.
- See ya.
(gentle music)
(keys jingle)
(door slams)
- Come on my shout.
- No I'm alright.
- You sure?
- Yeah.
Thanks.
(upbeat music)
(lid closes)
(gentle music)
(footsteps clattering)
(gentle music)
(upbeat dramatic music)
(gentle music)